Deborah Parkin

Deborah_Parkin_Catbells.jpg

CatBells



Deborah_Parkin_dream.jpg

Dream



Deborah_Parkin_fadinglight.jpg

fading light



Deborah_Parkin_fern.jpg

fern



Deborah_Parkin_rabbit.jpg

rabbit



Deborah_Parkin_rock pool.jpg

rock pool



Deborah_Parkin_september is the cruellest month.jpg

september is the cruellest month



Deborah_Parkin_The Cat in the Heather.jpg

The cat in the Heather



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portrait of a boy



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serenity



 


SEPTEMBER IS THE CRUELLEST MONTH.

My latest project is called "September is the Cruellest Month."  These portraits were taken over the summer of 2010 when I came to the stark realisation that my children are growing up (and to a point away) from me, and that time passes and is never recaptured - we are only left with memories and photographs.  THIAPS

Taken on a 4×5 large format camera (Toyo 45A), using Fuji's instant black and white film (FP-100b45), I wanted to capture moments of our summer together whether it be in play, at the mountains, at the sea, moments of contemplation  ... moments that don't necessarily record the act but will trigger the memory and emotion I felt in years to come when I look back and hold these images in my hand.  I am photographing for the future as well as the present.

Why "September is the cruellest month"? Because it is the time when I have to let my children go back out into the world again without me.   The summer holiday is now over.  Back to school, back to their clubs, progressing, moving on.  Something we all embrace and want for them, but secretly wanting to hold back  time a little bit longer. We can't stop time but we can freeze it for a split second in our images.


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I have had an interest in photography for many years.  Before I started working in photography seriously I was studying for a Ph.d in Women's War and Holocaust Writing and teaching literature in adult education.  However just before my daughter was born just over 5 years ago, bored and heavily pregnant I enrolled for a darkroom course at our local adult education college.

My photographic journey began in earnest with a digital camera until I went to university for a year and learned darkroom skills and started working with medium and large format cameras.   This year I have completed a course in wet-plate collodion with Carl Radford and this is now a medium I am actively working with.


By: Deborah Parkin (United-Kingdom)









COPYRIGHT NOTICE
Copyright ©Deborah Parkin  . All rights reserved. This photo is not to be
used as free  stock.  Use without written consent by the author (Deborah Parkin ) is 
illegal and punishable by law










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This page contains a single entry by Frans Peter Verheyen published on November 15, 2010 3:46 PM.

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